nobody calls me on my hamburger phone anymore
Saturday March 15, 2008 2:56pm
So I think I am one of the last three people alive to see Juno
(there were two other people in the matinee theater this afternoon) and I kind of...don't get it. It has been said much much better than I ever could and I don't necessarily agree with everything that is said in that article, and once the film got into its stride the emotions that I felt were very real and there was a lot of it that I liked, but the language was so distracting and, I don't know, in love with its own cleverness that it very much took me out of the moment and the enjoyment of it. And I get the criticism that I have read of it now that yes, no, teenagers don't really talk like that and if dialogue was written like teenagers actually talk it would be the most boring movie in the history of movies, but this seemed excessive. It's like the movie is so concerned with being all Hip! and making sure that you really know that this girl, this Juno, is The Protagonist! And She Has Her Own Language And Look How Nutty And Adorable She Is! And The Macbeths Or The MacDuffs or MacGuffs or whatever are Different! and now I am kind of sick of ironically capitalizing things, so. It's kind of like, with a couple pretty key exceptions, they forgot how to make Juno human.
That said, it also needed SO MUCH MORE Rainn Wilson.
And I love Michael Cera a lot, but the more I see him the more I am kind of convinced that I love him in the way I love my friend Big Gay Luke from college, because, um, I am no longer entirely exactly sure if dude is straight or not.
Speaking of dudes who I love, how happy am I that the dude at the blog linked above is still writing about America's Next Top Model and now I can justify watching America's Next Top Model to my friends by saying it's because of this website that keeps a running tally of how many times they cry on the show and writes things like
"I'm sorry, I hate to interrupt a Pretty Party [ed note: the Pretty Party is the part of every entry where he posts screen shots of the models from the episode he is discussing and then makes fun of them], but I have to interject. Here, Dominique's hair isn't so much Adelaide, as Miss Dott, my primary school bus driver with pervasive cooch smell (trust: I only realize this in retrospect), an eerily relevant resemblance to Large Marge and the ability to dash my festive spirit: one time, I wished her a happy Halloween as I was leaving the bus, and she informed me she didn't celebrate Halloween, but she would apply my well wishes to "Fall Harvest," which she did celebrate. I said, 'Bitch, that shit ain't transferable,' and skipped all the way home."
and
"...it looks like she has long armpit hair and, perhaps, scabies. The route from hipster to homeless has never seemed so direct."
and
"I hate that J always tries to make the makeover show about him. It's not about you, bitch! This shit is more than entertaining enough without your attempts at satire. This show functions as self-parody just fine without even trying, fool!"
and it is not nearly as funny to keep up with the writing if you do not watch the show?
You may have been able to figure this out, but I am very, very happy about this.